We never outlive our need for a little praise now and then. Ed Vargo, a
friend who read my novel LIFE COMES TO THE ARCHBISHOP just a couple of months
ago, wrote a review of the Kindle edition on Amazon.com that warmed my heart
and – well -- maybe even made my head swell just a bit! I’d like
to share the review with my readers:
Novel
Approach to How the Church Could Right Its Wrongs
June
24, 2010 --Kindle
Edition Available on Amazon
By Dr.
Edward Vargo (Bangkok, Bangkok Thailand)
See
all of Dr. Vargo's Reviews
This
review is from: Life Comes to the Archbishop (Kindle Edition)
THEME AND
STRUCTURE. I admire Eppley's ability to build chapter after chapter upon
dialogues or conversations. It's a great format for bringing
up all
the issues he wants to treat--celibacy, pedophilia, married priests,
gays and lesbians, women in the church, social justice, limbo, dispensations
and excommunication, above all the abuse of authority--secrecy, control
and punishment
overpowering compassion and forgiveness. At the same time, the use
of such
dialogues inevitably slows down the action. What he's created is preeminently
a novel of ideas. That's not a problem in the French or Russian tradition
of fiction, but it can be in the British or American tradition. I'm
not saying this as a criticism at all--there is a place for such novels
in our tradition,
too, even if there's a bias against them. On another note, I enjoyed
the way Eppley wrapped up many chapters with the archbishop's further reflections
on the centerpiece conversations.
ARCHBISHOP FOLEY. I found myself agreeing with so many of the positions
and values that Archbishop Foley embodies. He's the type of pastoral
bishop whose appointments we were blessed with in the era right before
John Paul
II. He's grounded in the good news, in compassion and hope, in openness
to the Holy Spirit wherever she blows. At the same time, he's a wounded
healer,
a man who admits to his loneliness as a faithful celibate and in the
course of the novel comes to recognize his own fear of bucking the Vatican.
Sensitive
to departing priest Tom and teenager Toni, by the end he is acting and
speaking more fearlessly, not walking the tightrope he did in order to
stay in the
good graces of higher superiors. It's nice to see the life-giving influence
on him of the people he allows into his life. I especially appreciate
the views expressed throughout about the distortions of the gospel that
the institutional
church's exercise of power has often created. Eppley shares with other
authors whom I respect very similar views on what's good and what's gone
wrong with
the church. I'm thinking especially of Leonardo Boff's "Church: Charism
and Power--Liberation Theology and the Institutional Church," Anne Wilson
Schaef and Diane Fassel's "The Addictive Organization," and John
Jacob Raub's "Who Told You That You Were Naked? Freedom from Judgment,
Guilt and Fear of Punishment."
RESONANCES WITH RECENT CHURCH HISTORY. The scenario of Ron Hackett trying
to blackmail Graham reminded me of the case of Archbishop Weakland of
Milwaukee. The way Foley responded to the accusations of sexual harassment
against him
reminded me of Archbishop Bernardin of Chicago. I love the story of forgiveness
and compassion exemplified in the Tibetan monks whose mandala is stamped
out. I also loved all the scenes with the Amish community; they brought
me closer to a special quality of Cuyahoga and Lorain Counties (Ohio) than
anything
else in the book. Also liked the way Foley leads Toni out of harsh judgments
against the church through pointing out the practice of "shunning" among
the Amish. No religion that involves human beings can be absolutely pure
and untouched by brokenness.
THE STORY SAILS FROM CHAPTER 33 ON. From this point to the end, I couldn't
put Eppley's story down. I kept wanting to see what would develop next.
Eppley has prepared the reader very well for Toni's and Tom's dramatic
reactions
to Ron Hackett. I found it very believable. At the beginning of the novel,
I wondered if his choice of dialogues to move the story forward would
create two-dimensional "flat" characters (in Forster's use of the term),
but by this time I realized the characters were very "round" indeed.
They come alive in a way that I found myself caring very much for what
happens to them. The feeling of everyone in the climactic scene is obviously
deeply
felt in its creation and really got this reader into it.
A FEW RANDOM THOUGHTS. I resonated with the remark about celibate priests
turning into old curmudgeons for lack of human love in their lives. It
was certainly one of the factors in my own belated departure from the ranks.
Not to say I've been preserved from being an old curmudgeon, maybe just
a
slightly gentler one.... I loved the way Huck Finn's struggles of conscience
with slavery were brought to bear on Tom's own decision not to pursue
a dispensation from the priesthood any further. I especially liked it because
that theme
resonates with the working title of a memoir I'm now bringing to completion--
FAITHFUL AGAINST THE RULES. The same manner of thinking suggested by
that title enters into the conversation between Tom and Foley's successor
Archbishop
Graham.... Kate's comparison of the Roman Curia to the Taliban is great.
Graham Greene used to compare the Curia to the KGB. Same same even if
different.... The simple funeral, as requested by Archbishop Foley, took
me back to the
burial services of Archbishop Lokuang, president of Taiwan's Fu Jen University
for most of my years there. He had also requested a funeral without the
usual episcopal pomp and circumstance. His wishes were honored, and many
people--Catholics,
Buddhists, and otherwise--found the simplicity an extremely moving witness
to what really counts in life and death.